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December 2018 16th Year 24th Issue •
প্রকাশিত

April 2022

শেয়ার করুন

Can Sculptures Speak? Understanding Dhaka’s Public Art and Its Effect on Collective Memory in Bangla

“Memory takes root in the concrete, in spaces, gestures, images, and objects; history binds itself strictly to temporal continuities, to progressions and to relations between things.” — Pierre Nora, Between History and Memory: Les Lieux de Mémoire In May of 2017, the statue of a saree-clad, blind-folded, Lady Justice was pulled down from the Supreme Court premises and moved to an annex building due to pressure from far-right religious group, Hefazat-e-Islam.

&ldquo;Memory takes root in the concrete, in spaces, gestures, images, and objects; history binds itself strictly to temporal continuities, to progressions and to relations between things.&rdquo;<br /> <br /> &mdash; Pierre Nora,<br /> <br /> Between History and Memory: Les Lieux de M&eacute;moire<br /> <br /> In May of 2017, the statue of a saree-clad, blind-folded, Lady Justice was pulled down from the Supreme Court premises and moved to an annex building due to pressure from far-right religious group, Hefazat-e-Islam. The incident brought to notice the anxiety surrounding religious...

সাবস্ক্রাইব করুন বা কিনুন

সম্পূর্ণ লেখাটি পড়তে এবং স্বাধীন বাংলা সাহিত্যকে সমর্থন করতে, এই লেখাটি কিনুন বা সম্পূর্ণ জার্নাল আর্কাইভ উন্মুক্ত করুন।

প্রকাশিত হয়েছে

December 2018 16th Year 24th Issue

সংখ্যা 220416170657 • 2018

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